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	<title>Comments on: Sony Virus</title>
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	<link>http://tonyandpaige.com/2005/11/10/sony-virus/</link>
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	<pubDate>Fri, 21 Nov 2008 13:17:44 +0000</pubDate>
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		<title>By: home equity loan</title>
		<link>http://tonyandpaige.com/2005/11/10/sony-virus/#comment-362</link>
		<dc:creator>home equity loan</dc:creator>
		<pubDate>Sun, 25 Dec 2005 11:15:43 +0000</pubDate>
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		<description>home equity loan &lt;a href="http://www.homeequityloan-x.com" rel="nofollow"&gt;http://www.homeequityloan-x.com&lt;/a&gt;
</description>
		<content:encoded><![CDATA[<p>home equity loan <a href="http://www.homeequityloan-x.com" rel="nofollow">http://www.homeequityloan-x.com</a></p>
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		<title>By: Gardiac</title>
		<link>http://tonyandpaige.com/2005/11/10/sony-virus/#comment-361</link>
		<dc:creator>Gardiac</dc:creator>
		<pubDate>Fri, 25 Nov 2005 01:12:09 +0000</pubDate>
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		<description>The Sony virus seems to have existed for a long time. 
The violation of the privacy secretly done is pointed out on the bulletin board of Japan in May, 2002. 
[Source]
&lt;a href="http://pc8.2ch.net/test/read.cgi/sec/1022314027/" rel="nofollow"&gt;http://pc8.2ch.net/test/read.cgi/sec/1022314027/&lt;/a&gt;
[Source(Translation)]
&lt;a href="http://translate.google.com/translate?u=http%3A%2F%2Fpc8.2ch.net%2Ftest%2Fread.cgi%2Fsec%2F1022314027%2F&#38;langpair=ja%7Cen" rel="nofollow"&gt;http://translate.google.com/translate?u=http%3A%2F%2Fpc8.2ch.net%2Ftest%2Fread.cgi%2Fsec%2F1022314027%2F&#38;langpair=ja%7Cen&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>The Sony virus seems to have existed for a long time.<br />
The violation of the privacy secretly done is pointed out on the bulletin board of Japan in May, 2002.<br />
[Source]<br />
<a href="http://pc8.2ch.net/test/read.cgi/sec/1022314027/" rel="nofollow">http://pc8.2ch.net/test/read.cgi/sec/1022314027/</a><br />
[Source(Translation)]<br />
<a href="http://translate.google.com/translate?u=http%3A%2F%2Fpc8.2ch.net%2Ftest%2Fread.cgi%2Fsec%2F1022314027%2F&amp;langpair=ja%7Cen" rel="nofollow">http://translate.google.com/translate?u=http%3A%2F%2Fpc8.2ch.net%2Ftest%2Fread.cgi%2Fsec%2F1022314027%2F&amp;langpair=ja%7Cen</a></p>
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		<title>By: Frances</title>
		<link>http://tonyandpaige.com/2005/11/10/sony-virus/#comment-360</link>
		<dc:creator>Frances</dc:creator>
		<pubDate>Mon, 14 Nov 2005 18:00:24 +0000</pubDate>
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		<description>Not to quibble, but...one of your Faithful Readers actually HAS one of those albums...er-r-r...CDs. You young ones, unfortunately, only know the 80s-90s era cheesy Neil Diamond, but those of us with a few more years under our belts know the vintage wonder that is a good Neil Diamond-sung-and-written song. 

Here's what Amazon has to say: 
Editorial Reviews
Amazon.com
Forget for a moment that you're a sophisticated consumer of music with a mercilessly low tolerance for schlock: Neil Diamond--"Cracklin' Rosie" and "Forever in Blue Jeans" be damned--is going to break your heart. 12 Songs, the hotly anticipated collaboration between Rick Rubin and the formerly jumpsuited Don Juan, exceeds all hopped-up expectations, deflating fans' concerns that their hero might fall flat on the frames of his huge sunglasses in attempting to turn out something hip and harnessing what sounds like decades' worth of untapped, superior songcraft instead. There it is on "Captain of a Shipwreck," a declaration of love that skims the poetic with its promise that "If you're captain of a shipwreck/I'll be first mate to your shame," and around it comes again on "Hell Yeah," a life-affirming, rumor-debunking anthem fairly bursting with bravado (think "I Am...I Said," but with context). Bravado aside, expect no pulled punches here. Rubin's masterful approach is to let Neil Diamond do what Neil Diamond does best, and that is to strap on a loose guitar and let those teflon-ravaged vocals ride over it. Some rides, of course, are smoother than others--Brian Wilson's guest spot on bonus track "Delirious Love" is so melodic and harmony-rich it ought to have sails attached, while "What's It Gonna Be" sounds like something snatched in a pre-dawn lark from a Leonard Cohen disc. All of it is lovely, every last track. A respectful rescripting of the legend, a la the Rubin-aided recasting of Johnny Cash after 2002's American Recordings, is in order. --Tammy La Gorce 

But I do only listen in the car, so my computer is safe.</description>
		<content:encoded><![CDATA[<p>Not to quibble, but&#8230;one of your Faithful Readers actually HAS one of those albums&#8230;er-r-r&#8230;CDs. You young ones, unfortunately, only know the 80s-90s era cheesy Neil Diamond, but those of us with a few more years under our belts know the vintage wonder that is a good Neil Diamond-sung-and-written song. </p>
<p>Here&#8217;s what Amazon has to say:<br />
Editorial Reviews<br />
Amazon.com<br />
Forget for a moment that you&#8217;re a sophisticated consumer of music with a mercilessly low tolerance for schlock: Neil Diamond&#8211;&#8221;Cracklin&#8217; Rosie&#8221; and &#8220;Forever in Blue Jeans&#8221; be damned&#8211;is going to break your heart. 12 Songs, the hotly anticipated collaboration between Rick Rubin and the formerly jumpsuited Don Juan, exceeds all hopped-up expectations, deflating fans&#8217; concerns that their hero might fall flat on the frames of his huge sunglasses in attempting to turn out something hip and harnessing what sounds like decades&#8217; worth of untapped, superior songcraft instead. There it is on &#8220;Captain of a Shipwreck,&#8221; a declaration of love that skims the poetic with its promise that &#8220;If you&#8217;re captain of a shipwreck/I&#8217;ll be first mate to your shame,&#8221; and around it comes again on &#8220;Hell Yeah,&#8221; a life-affirming, rumor-debunking anthem fairly bursting with bravado (think &#8220;I Am&#8230;I Said,&#8221; but with context). Bravado aside, expect no pulled punches here. Rubin&#8217;s masterful approach is to let Neil Diamond do what Neil Diamond does best, and that is to strap on a loose guitar and let those teflon-ravaged vocals ride over it. Some rides, of course, are smoother than others&#8211;Brian Wilson&#8217;s guest spot on bonus track &#8220;Delirious Love&#8221; is so melodic and harmony-rich it ought to have sails attached, while &#8220;What&#8217;s It Gonna Be&#8221; sounds like something snatched in a pre-dawn lark from a Leonard Cohen disc. All of it is lovely, every last track. A respectful rescripting of the legend, a la the Rubin-aided recasting of Johnny Cash after 2002&#8217;s American Recordings, is in order. &#8211;Tammy La Gorce </p>
<p>But I do only listen in the car, so my computer is safe.</p>
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